Editing 101 or at least how I do it
The very sweet from Debra from Lifescapes was kind enough to ask me about my editing process which is a little hard to pin down but I’ll try to write a bit about it here and not bore you all too much.
Now every time I write a book it’s a new and different process. I have written 5 full novels and quite a few partials which are sample pages of novels that are ideas in work. A little back-story before I get to the edits. I’m a pantsterwhich is a term for flying by the seat of your pants. Now, I wish this wasn’t true. I’d love to be a big time outliner and have every aspect of my story down cold before I start to write, but that’s just not true and even when I do have it and map it all out, the characters are like these “real” people in my head that seem to go off in their own directions at the oddest times. So then its map out the window and time to pull out the GPS. Well, somehow through all this I find my way to the end of a novel that looks remarkably like the “movie” I originally saw in my head way back when.
But being done is just the beginning. My grammar and spelling, as most of you long time blog readers can attest to, is just a hot mess besides that, who knows if I changed a characters eye or hair color way back in chapter 3 and not even noticed. Heck, I may have changed a name. Writing a story is a long process.
Coming to the rescue is my critique group. I have a core group of 3 writer friends that I havehad for years I call them my Writing Vault and they are invaluable to me. We read for each other and give loving but very real feedback. No just easy pats on the back here. So I’ll send the manuscript off to one of them.
Opps Add in: Thanks Maira for reminding me. First I print out a full copy and read it through myself and red line edit it once going through all the way with a full read. This is usually painful. Ouch.
Then off to crit partners and they will edit the whole book with bold red track changes with all their thoughts on grammar, seeing if I’ve totally fleshed out an idea, have enough emotion etc… then I go back and make whatever changes (I agree with) I want to the entire book. Then I’ll do this again with another critique partner until I feel the work is the best that I can make it. I can’t put a time on this as it can be quite long depending on life and how much work the book needs. I’m not a quick writer and it’s different for each book.
Now this process doesn’t work for all writers. I know many published authors that don’t work with readers at all, but for me the help and mostly the caring and support has kept me writing through the years even in the face of rejection.
I am eternally grateful to my critique group. Thanks so much Megan, Jen and Jeanine. May all our writing and publishing dreams come true.
So tell me, what’s your editing process?
Best,
Kwana
Stretch
stretch (str ch) KEY
VERB:
stretched, stretch·ing, stretch·es
VERB:
tr.- To lengthen, widen, or distend: stretched the sweater out of shape.
- To cause to extend from one place to another or across a given space: stretched the banner between two poles.
- To make taut; tighten: stretched the tarpaulin until it ripped.
- To reach or put forth; extend: stretched out his hand.
-
- To extend (oneself or one’s limbs, for example) to full length: stretched her calves before running.
- To extend (oneself) when lying down: she stretched herself out on the couch.
- To put to torture on the rack.
- To wrench or strain (a muscle, for example).
-
- To extend or enlarge beyond the usual or proper limits: stretch the meaning of a word.
- To subject to undue strain: to stretch one’s patience.
-
- To expand in order to fulfill a larger function: stretch a budget; stretch a paycheck.
- To increase the quantity of by admixture or dilution: stretch a meal by thinning the stew.
- To prolong: stretch out an argument.
- Informal To fell by a blow: stretched his opponent in the first round.
Even though in the process of editing my last manuscript I was doing a lot of taking away and the object was not to expand, I found that the exercise stretched me beyond where I had gone before.
How have you stretched yourself recently? Have you stretched yourself or have you been a limp rubber band?
Now excuse me while I beg someone for a massage. These muscles are sore!
Best,
Kwana
The Cave
What’s Jack up to? Jack is being a total Jackster. Driving me wild by being all mischievous and totally underfoot. I can’t take two steps lately without tripping over little Jack. Oh well. So it is.
Not too many words today. I think more will come as soon as I’m more alert. But today I’m squinting against the sun and finally stepping out of my editing cave. Whew, it was a tough two weeks, but I think I got it all done. Of course in my mind done is never really done… until it’s really done. And by that I mean sold, delivered and maybe on a bookshelf somewhere. But right now that outcome is not in my hands so I’m letting it go for the moment. Thanks for all your kind words and encouragement while I was hanging in the cave. You all really warmed me up when the fire got low.
Happy Monday!
Best
Kwana
And Still
It’s the same old thing going on with me. I guess I’m running on fumes now. I’m either at my little table or on on my bed or on the couch. Yeah, it’s me and my laptop and my edits… in my sweatpants. Not as pretty a sight as this slightly misshapen Picasso woman. Ah well. I am who I am right about now.
But enough about me, what’s doing with you today?
Best,
Kwana
Working hard
Bestselling Advice from Suzanne Brockmann
What’s Jack up to? You all know it’s never a dull moment with Jack the terrible terrier. As I type this he’s looking at me with sad puppy dog eyes sitting on his bed on a Jack time out after having gotten into the trash. So you know I’m not thrilled with him after having to clean up a big old mess. Oh well, so starts the week.
This week and the next I will be in crazy editing mode and hopefully have my nose to the grindstone as I have lots of work to do and not a lot of time to do it. Wish me luck and say a prayer that the family cooperates.
On Saturday I went into the NYC for my RWA chapter’s Spring brunch. This year we had a guest speaker attend which is something we have not done in the past and boy did we get some speaker for out intimate little brunch. New York Times Bestselling Romantic Suspense Author Suzanne Brockmann. I know right?
Let me tell you we had quite a turn out at this year’s luncheon with Suzanne there. As it happens Suzanne is in New York directing an off Broadway play until May 22ndcalled Looking for Billy Haines. You can find out info at www.lookingforbillyhaines.com So on top of being bestselling author she can now add director to her resume. Cool huh?
My notes were a little whacky as Suzanne talked while lunch was being served. Literally. She was so sweet. The waiters were coming in with the food trying to figure who had what and she didn’t mind she was like, “Who had the quiche? Salad? Pot Pie?” All with a smile.
She told us her journey from being a stay at home mother is 1992 and how she started out writing screenplays and moved from there to contemporary romance.
She also talked about Role Modeling after bestsellers careers during that time and the fact that category romance is a great place to start out for a 1st time romance author. It’s where she got her start. And guess what? Bantam has reissued all her category romances.
Suzanne also said how in the category years she used to write 6-7 books a year. Yeah, that’s right I said it 6-7 and she set out to make them the best book ever. Keepers that people did not want to give up. There is something to aspire to.
There was also talk about the importance of one on one connections with people when the question of social media came up. And how important is to say thank you when someone reaches out to you to gives feedback on your work. Good or bad. She’s a good egg.
Then we got into the process question and my mind was blown. Now you Brockmann fans know she writes intricate plots and ongoing series with twists and turns. Well she does big honking 80 page outlines. You should have heard the gasp of air suckage around the room. Me the pantser almost fell off my chair.
But to soften the blow she also believes in the crappy first draft and that big outline is taking into consideration up to 3 books out. Whew.
Also for you writers out there, when she’s in story mode she is writing 7 days a week. No breaks. She said that if she takes a day off it will take her 3 days to get back into the story. I can so relate to that. No more breaks for me. One day turns to too many and nothing gets done.
There were so nuggets of gold in Suzanne’s talk and Q & A that I can’t get it all in. The last thing I’ll leave you with is she told us to respect yourself as a writer whether you’re published or not. I believe that is true for whatever dream you are pursuing. Respect yourself and believe in yourself.
Thanks so much Suzanne for a wonderful afternoon.
You can visit Suzanne at her site http://www.suzannebrockmann.com
Now back to the grind for me.
Best,
Kwana
Yarning
What’s Jack up to? Jack has been enjoying the nice weather we’ve been having so far this week and keeping me very good company while I sit outside to get some editing done, this is until the annoying bees on the porch drive us away. Ugh. Anyone have a remedy to keep the bees away? Jack and I would really like to enjoy the porch more before the dog days of summer come.
Today it’s more editing and then a Wednesday much needed yarn break and chat session with The Knitsters. Thanks to the PIC for directing me to this calming pic.
What do you do for a mid-week mini-break?
Best,
Kwana
Back to Reality
What’s Jack up to? Jack’s being Jack. Chilling after a weekend of well… chilling. Yeah, his life is good.
Me, I’m recuperating after the busy weekend with the DH and the Dear Twins. Thanks so much for all the well wishes on the DH’s birthday and all the support on the Borders True Romance post this Saturday. It was great and so nice of you all.
Today it’s back to writing, editing and the mom, work, drive grind although a little time to luxuriate would be nice.
Best,
Kwana
The Danger of One Story
Thanks to all who commented on the UPTOWN interview yesterday. You still have until midnight tonight to be entered to win. So scroll down here and comment so you don’t miss out.
Today I’m posting the wonderful TED talk that Virgina and Donna spoke about from Novelist Chimamanda Adichie where she tells the story of how she found her authentic cultural voice. So worth listening to. I’d love to know your thoughts.
Have a wonderful day!
Best,
Kwana
Going Uptown & a giveaway!
Happy me, I have an author interview today on ye old blog and it’s one that’s close to my heart since it speaks to my Harlem roots.
I’m proud to welcome The New York Times Bestselling collaborative writing team of Virginia DeBerry and Donna Grant here at Kwana Writes today to speak about their newest release UPTOWN. Whee!!! Insert bells, horns, whistles and marching band here.
First off a little blurb about UPTOWN:
A story as big as New York City itself. Enter the world of Uptown where you’ll find a prominent New York family strained to the breaking point by the high stakes Manhattan Real Estate Industry…….
After twenty years of Foreign Service abroad, Avery Lyons returns to New York when her mother and uncle suffer a serious car accident. The tragedy brings the family together, but Avery is not happy about reuniting with her cousin, Dwight, from whom she has been estranged since the fallout over a college scandal. Avery no longer recognizes the tony, prestigious neighborhood of her childhood but the same old family dynamics and secrets are all too familiar. ….
Heir to a real estate empire, Dwight is willing to do anything to realize his aging and demanding father’s dream: Dixon Plaza, a luxury high-rise development on Central Park North, the last undeveloped border of the city’s famed emerald park. There’s only one thing in his way: Avery has inherited a share of the property Dwight needs. She’s more than willing to sell until she starts dating a reporter on a mission to uncover the truth behind the rumored shady dealings surrounding the complex. ….
Are you intrigued? Are you in? Trust me the read is even better…
Now to Virginia and Donna… Thanks so much for being here.
What drew you to Harlem for the setting of UPTOWN?
Situated at the top of Manhattan, Harlem has been an iconic community and a cultural Mecca since the turn of the 20th century. We both also have connections to Harlem. Donna’s Mom was raised on 143rd Street. Even though the family had moved to Brooklyn by the time she was born, Donna remembers trips to Miss Helen’s beauty shop on 7th Avenue (now Adam Clayton Powell Blvd) and her own forays to the Apollo, Sylvia’s and other spots during her college years.
In the early 80’s Virginia’s first NYC apartment was on 110th Street (now Central Park North) in one of the buildings “owned” by Uptown’s, The Dixon Group. We first get to know apartment 5D, and it’s glorious views of Central Park, in our book Better Than I Know Myself (where we gave Regina, Jewell and Carmen’s Virginia’s old apartment). So, when we decided to explore real estate development and gentrification, we realized we had already set the stage.
What is it about now that makes this the right time for this book? (As a New Yorker I think I know the answer to this one)
Real estate was the gold rush of the 2000’s. In so many parts of the country people were buying and flipping houses and apartments like they were pancakes, and luxury developments sprung up in neighborhoods that had never been in play. Harlem was one of those places where new development bumped up against a community with an established history and culture. The conflict allows us to pose questions about the rights of people who have enough money to pay for whatever they want, vs the rights of those who have a history in a particular area.
You have written such strong characters in UPTOWN. Can you talk a little about your character inspirations specifically for Avery, Dwight and the Larger than life, King?
Avery Lyons, like so many of us, carries a burden of hurt, anger and resentment for actions that have taken place in her past. And like many of us, she doesn’t realize how those feelings continue to impact her life. We wanted to force her into a corner, where she’d have no choice but to deal with them and see what happens.
Dwight Dixon, and his father, the overbearing and ornery King Dixon were characters from Better Than I Know Myself who caused “strong” reader reaction. They had one of the classic, co-dependent, love-hate, father-son relationships and we really get to explore that dynamic in Uptown. King started buying properties that no one else wanted in Harlem decades ago and has amassed a sizeable fortune as a result. King’s out-sized personality casts a giant shadow—one Dwight is tired of living in and he’s determined to create his own spotlight.
How about some fun? If you could give UPTOWN a theme song what would it be? I’ll start, for some reason A Family Affair kept running though my mind. What about you both?
Let’s hear it for Sly Stone! We love that choice–Donna’s first concert adventure, when she was 14 was Sly & the Family Stone at Madison Square Garden, and Virginia first saw them at a “joint” in Buffalo called the Pine Grill for a cover charge that was about $3.00!! But that’s a whole ‘nuther story.
First things that come to mind are Stevie Wonder’s Livin’ For the City, and Bill Withers Harlem–both very old school, but there’s a lot about the vibe that’s old school. And then we’ve got a remix–Take Grandmaster Flash’s The Message–“A huh huh, It makes me wonder sometimes, how I keep from going under.” Add a sample from The Jeffersons, Moving on Up, “Finally got a piece of the pie,” and add a new spin that looks at the world in 2010. Clearly, we have moved into some kind of hallucination here, but it’s interesting that people have associated Uptown with music. We have a friend, Valarie Adams, who is a singer/song writer. She has written an Uptown theme song–we hope to get it posted online shortly. Maybe that means there’s supposed to be a soundtrack. We like that idea since we now have a production company and are working to produce Tryin’ to Sleep in the Bed You Made–The Movie, so soundtracks are definitely part of the equation (Regina King is already attached. We’d love to keep your readers posted. They can join our mailing list on the website, http://deberryandgrant.com/DGContact.html, or keep up with us onFacebook.com/deberryandgrant and twitter.com/deberryandgrant for news. . .)
Now for a little writerly/publishing talk. As a writing team I’m curious as to how you both make it work. I know I for one can reconcile things with myself (I know, issues) let alone another person. Does being best friends help? Ever put a strain on things?
Our friendship, which started while we were competition–during our time as plus size models at the same agency–has never been in question. If we never worked together, we would be friends who are more like sisters. Our working partnership has only enhanced our friendship. It means that whatever situation we are in, there is always one person in the room you trust without question. It also means that we can say whatever needs to be said to each other, knowing it comes from a place of love. As writing partners, we leave our egos at the door. What we strive to create is a single voice that combines our separate voices. That voice is The Author of our work and it’s vital that no one can tell what either of us has written–we can’t tell either. For as much as we are alike, we are very different, and we allow each of us to be ourselves. In fact, the differences keep our writing fresh. And did we say, we still have fun doing what we do? It’s the best scam–getting to work and travel with your best friend and still be able to call it work. Shhhh, don’t tell anybody.
Ok I won’t. LOL. Now where do you see multi-cultural fiction heading in the future? Forward, backwards, stuck in neutral?
What we need, and currently find a struggle to realize, is the freedom to be individuals. We seem to be considered as a monolith–as though we speak with one voice and therefore there is only the need to tell one story. There is no single story of African Americans, as there is no single story for any group of people. But whether we write mystery, romance, thrillers, urban, historicals, erotica or contemporary fiction, we all fall in the same category, “African American Lit,” which describes our ethnicity, not the content of our writing. Our work is labeled, categorized and handicapped, before it’s out of the gate, before it reaches the bookstore shelf or online link. What the two of us write is women’s fiction with Af-Am characters–stories of struggle and triumph, loss, coping, love, life, and learning, but many readers who might enjoy our work because the theme might be relevant to their lives (like What Doesn’t Kill You, our last book about a woman who loses her job after 25 yrs), don’t ever see it because it’s in “that” section. We wrote a blog about this subject a few years ago and repost it every year–because, sadly, it’s still relevant. (Nov 20 entry-Writing White. http://bit.ly/3isaSI) . There’s been a lot of conversation in online lit communities about diversity and multiculturalism—and we’ll have to see where it goes—if there are actual changes that take place. But as long as books like The Help and Little Bee, written about black folks, by non-black folks and time capsule novels about African Americans from slavery to pre-civil rights, stories that focus on our strife, struggle and resulting pathology are allowed the spotlight, while wonderful works of fiction about our contemporary lives—black folks, dealing with the challenges and issues inherent in today’s American experience, languish, unnoticed; when writers like Celeste Ng, find themselves forever compared to Amy Tan, http://huff.to/8bN9V2, a resolution to the multi-cultural lit issue will remain elusive. Chimamande Adichie said it wonderfully in her speech, The Danger of a Single Story,http://blog.ted.com/2009/10/the_danger_of_a.php , at a recent TED conference.
Finally, what can we look for next from you two?
We have worked out the plot for our next book, which again seeks to pair a currently hot topic with a personal story, and look forward to getting back to the writing cave to work with it. We also continue to work on our production of Tryin’ to Sleep in the Bed You Made, and support the producer who seeks to bring Far From the Tree to the screen.
Virginia & Donna
I have to say once again how honored I am to have had Virginia and Donna on the blog today. I’m so happy to have met them through the online community.And YAY, Virginia and Donna have agreed to host a giveaway today. One lucky commenter will win a signed copy of uptown. So comment away we’d love to know your thoughts on today’s post. Winner will be picked by midnight on Wednesday.
You can find Virginia and Donna at all these cool places. Go and say hi:
Website: http://deberryandgrant.com
Blog: http://twomindsfull.blogspot.com
http://Facebook.com/deberryandgrant
http://Twitter.com/deberryandgrantBest,
Kwana