So 2017 was filled with some ups and plenty of downers too. As a writer it was also filled, for me, with quite a few moments of doubt. So imagine my shock when I get a tweet the other morning from none other than the amazing, incomparable, QUEEN of all the words, Ms. Beverly Jenkins congratulating me on making NPR’s Great Reads 2017 list with my book THE BETTING VOW.
I tell you all I could say was Huh? And What? And WOW!
What an amazing moment and so very needed to end out 2017 and get me rolling into the 1-8.
Here’s to us tacking it together! CHEERS!
Happy Halloween and Welcome Peeps!
Today on ye old blog I’m thrilled to have my friend and fellow Kensington publishing sister, Nicole Blades here to answer a couple of question on her latest release:
HAVE YOU MET NORA? (OUT TODAY!).
She’s blossomed from a wealthy surgeon’s beautiful daughter to elegant socialite to being the top fashion stylist in the country. And Nora Mackenzie is only days away from marrying into one of New York’s richest, most powerful families. But her fairy tale rise is rooted in an incredible deception—one scandal away from turning her perfect world to ashes . . .
What no one knows is that Nora is the biracial daughter of a Caribbean woman and a long-gone white father. Adopted—and abused—by her mother’s employer, then sent to an exclusive boarding school to buy her silence, Nora found that “passing” as a white woman could give her everything she never had.
Now, an ex-classmate who Nora betrayed many years ago has returned to her life to even the score. Her machinations are turning Nora’s privilege into one gilded trap after another. Running out of choices, Nora must decide how far she will go to protect a lie or give up and finally face the truth.
Thank you so much for being here Nicole and for answering my questions:
KMJ: First off What inspired you to write this story?
N.B.: I’ve always been deeply interested in identity, more specifically, how someone organizes their entire spirit around being something and claiming it out loud. I’m also curious about the weird line between how we see ourselves and how we wish the world views us. For some people, the two versions are similar and live close to that line. And of course, for others, the two “selves” can be worlds apart.
For this story, I wanted to go even deeper with this concept and examine how someone could construct an identity rooted in a lie, taking “fake it ‘til you make it” to a totally different level. And then, how far would they go to protect that identity that they’ve created out of nothing but dust and dreams? I had to find out!
K.M.J: What advice would you give other aspiring writers?
N.B.: I’ve been asked to offer advice to writers a few times, and I tend to say basic things. I must preface this by saying that advice can be tricky. What works for one person might lead to total disaster for another—and getting too many opinions can often leave you feeling more bewildered than when you started. You have to have a certain presence of mind and awareness to recognize what “wise words” to keep and what you can just let fall away. All that said (heh.), here’s my advice to writers: First, read. I know, with the way the world is spinning and all that’s going on, It can certainly feel like there’s not enough time to read everything. So many links, so many books, so many articles and posts! But the fact is, you have to make the time to read books, because writers read. And it’s important to read wide–read genres that are not necessarily up your alley, read authors you wouldn’t normally lean toward, read great work and less-great work too. Keep it varied; expose yourself to all the flavors, and add breadth to your POV.
The second key piece of advice I would suggest is also simple (in theory, anyway): You must write. It’s one thing to say that you want to write X or Y, but it’s whole other thing to actual sit your bum in the chair and do it. We are busy, all of us. We are juggling plenty, but you must make the time to write if you want to be a writer. Find a schedule that works with your life—getting up before the sun or blocking off two hours at night after everyone’s gone to bed—and write, and try to do it every day. Even if it starts with 20 minutes a day and you build from there, just do it. Storytelling is a craft and you have to continue to work on it.
Lastly, find your voice and use it. Don’t bother emulating your favorite writer. That’s their voice. Use yours to tell the stories that you want to read, the stories that you’re not seeing out there. Trying to decipher the code about what sells and what people want to read is wasted energy. You should have one goal: tell a great story. Focus on that goal. All the other stuff—the genre that works for you, loyal readers, bigger-better opportunities, even book sales—they are byproducts that often show up when you’re fixed on telling a good story in your voice.
K.M.J:Lastly, please share with us what’s next for you?
N.B.: Next for me is the H.Y.M.N. (small) book tour. First stop is the nation’s capital. I’ll be at Sankofa Bookstore in Washington D.C. on November 6th at 6:30 p.m. Then back to New England for a local-ish book event at R.J. Julia Bookstore at Wesleyan on November 14th at 7 p.m. before heading to Canada for fun events in my hometown Montreal followed by Toronto. (All my upcoming events are listed on my web site: NicoleBlades.com.)
I’m also working on a new novel. I don’t like to talking too much about whatever I’m cooking up. I’m a little weird and low-key superstitious about it, but I’ll just say break out of my usual rule and say this: It’s about a scientist, struggling to move through her broken life, who stumbles into investigating a mysterious illness that’s killing off the nation’s youth. I’m really hoping to be finished by the end of the year. Wish me luck, and good writing vibes!
And now here is an excerpt from HAVE YOUR MET NORA?:
Nora opened her eyes and stared through the darkness at the ceiling. Three twenty-eight, she thought, before rolling up off her back a little and craning her neck to look just past Fisher’s shoulders at the blue numbers on the clock by his nightstand. He was dead asleep, the rhythmic flow of his deep breathing like white noise. The numbers gleamed: 3:41 am. Close enough, she thought, and returned to the ceiling. Although Nora had long been an early riser—she couldn’t remember a time when she had slept later than the sun—this was different.
She eased the covers off and slid out from under Fisher’s muscled arm, moving slow and steady toward the edge of the bed. She hopped down, landing with a soft thud, and then froze, shifting her eyes back to Fisher. No change. Not even a break in the beat. Nora grabbed her iPhone and padded along the hall. The moon, pushing through the floor-to-ceiling windows of the penthouse, provided more than enough light for Nora to find the handle to the mini champagne fridge that Fisher bought for her last year. Nora gave the half-drunk bottle of Armand de Brignac—a gift from a client—her deepest bow with prayer hands before grabbing it and shutting the fridge door with her foot. She pulled the orange stopper from the bottle, letting it drop to the floor, and started typing into her phone on her way to the bathroom at the far end of the penthouse. Nora waited until she was inside the empty, freestanding tub before taking her first, long swig from the bottle. She rested her phone on the ledge of the tub and pressed a button on a remote that sent the massive blinds skyward. Nora stayed there in the empty basin, soaking in the city’s glow, and waited.
Her phone buzzed and vibrated against the acrylic. She took another sip before answering it.
“What the hell is wrong with you?” a croaky voice said.
Nora shook her head. “I’m just—”
“Nervous? You’re just nervous, hon. It’s pre-wedding jitters. You’re fixin’ to get married to that gorgeous, big-*icked, super-hot bastard in twenty-two—no, twenty-one days and you’re feeling anxious. That’s all. No Biggie Smalls.”
“Jenna, I’m sitting in an empty tub, pounding old champagne straight from the bottle, and staring out the *ucking window. Do you really think it’s necessary to remind me that there are twenty-two days—”
“Technically it’s twenty-one—”
“Jesus, fine, twenty-one days. It’s twenty-one days before the wedding. I’m aware. My whole entire body is aware. We’re all very aware.”
“Deep breaths, sweetheart. You’re freaking out. This is what freaking out looks like on all normal women,” Jenna said. Her Southern twang, though soft, still tickled Nora. “You’re just different. It’s foreign territory for you.”
Nora stopped mid-swig, her arm wobbling and then dropping with the weight of the bottle into her lap. “What does that mean?” she said, squinting her eyes and bracing her body.
“Nothing, just, I don’t know. . . . I mean, you’re always even and calm; it’s preternatural,” Jenna said. “No matter what’s going on, you’re on like perma-chill. It’s automatic for you. No headless chicken stuff.” A chuckle. “It’s why we kept calling you I.Q. when we first met you. Ice Queen.”
Jenna’s full creaky cackle made Nora move the phone away from her ear and level it on the ledge of the tub. She could still hear Jenna from that distance, but pushed Speaker anyway and went back to drinking her champagne. Nora reclined, cradling the bottle into her chest. “Ice Queen? Seriously? And here I was thinking you were dazzled by my smarts.”
“Oh, we were. Totally. By your smarts, for sure, and also your long legs, your frat-boy mouth, your perky *its, them Kelly Ripa arms, and your entire wardrobe, espesh the shoes. Plus, you speak fluent French—I mean, *ucking French—and you’re the first white girl I’ve ever met who can actually dance. Like, legit, Beyoncé backup dancer dance. Need I go on?”
“Yes, you need. Come on, I’m practically perfect,” Nora said, the beginnings of a laugh tickling her throat.
“Practically?” Jenna said, yawning. “Okay, so we’ve thoroughly covered your Boss Bitch status. It’s why Fish is locking you down so fast, while those eggs are still viable.” Nora’s expanding grin disappeared, replaced by a clenched jaw and gnashed teeth. “What I need clarity on is: Why are dry-tub drinking again?”
“How did you know I’m in the tub?”
“Echoes, booby. Also, you said so earlier. Either way, I’ve got you pretty much figured out. You’re not the QB on this play. What’s the wedding planner’s name again, Gloria? Glenda? Whatever. She’s the quarterback. She’s the one calling all the plays, and you’re watching from the sidelines and it’s driving you bananz.”
“First, are you talking sports at me?”
“A little,” Jenna said through her teeth.
“You’re still hooking up with that sports writer guy?”
“Wait, isn’t he the one who sent you the dick pic when you asked to see his new coffee table?”
“Well, it was pretty impressive . . . the coffee table.”
“Jesus, Jenna. What needs to happen to get you out of these dating app traps? Nothing but Dumpster fires on there.”
“Hold up, I met Sports Guy the old-school way, my dear: at a bar, not on a dating app,” Jenna said. “You kidding me? My filters are tight. He would’ve never made the cut.”
“What about the one who called you from rehab on what was supposed to be your third date?”
“Oh, that whole thing was about me trying to be charitable. I’m from Texas. It’s how we do.”
“Father-God, you need prayer,” Nora said, closing her eyes and leaning her head back in the tub.
“You sound like my sister’s nanny, Bernadette. She says that all the time about those twins: Fahdah-Gowd,” Jenna said, mangling it. “She’s from Trinidad, I think. No, St. Kitts. One of those islands. But you got that accent down solid. So many tricks in your little black hat, woman.”
You can pick up your copy of HAVE YOU MET NORA?
And Follow Nicole on line at NicoleBlades.com to stay up on her latest happenings!
Thanks so much for being with us Nicole!
Today on ye old blog we have an extra special treat and something that I hope can be a feature that continues with the hosting of other guests speaking on this topic.
First a bit of backstory – if you beta read for me, you know I love my backstory- that said, if you follow me on twitter @kwanawrites, you know that just about daily I tweet the #WeNeedDiverseRomance hashtag in honor of my late Nana and to bring awareness to the need for more equal representation for all, and in my specific case women romance writers of color on the bookshelves.
Well today’s guest, literary agent agent, Linda Camacho from The Prospect Agency, kindly reached out to me about the hashtag #WeNeedDiverseRomance and agreed to be on the blog today answering questions about herself, the industry, diversity and what she’s looking for.
Thank you so much for being with us today Linda!
First can you tell us a bit about your role as an agent at The Prospect Agency
I’m essentially my clients’ business manager, whereby I pitch my clients’ manuscripts to editors at publishing houses and try to get them the best deal possible. I not only handle domestic rights, but all other subsidiary rights (i.e., movie/TV, audio, translation, merchandising, etc.), so it can be quite a lot! I also provide editorial feedback to my clients, career guidance, and a shoulder to cry on. 🙂
Can we get a peek inside your #MSWL Manuscript Wish List? You represent a wide variety of works from middle grade through adult. Please tell us what you’re looking for in YA vs Adult right now?
I try not to limit myself, since it’s really sort of a “surprise me” answer. My tastes are pretty broad, so if in doubt, try me! I love literary stories, though I gravitate more toward higher concept genre fiction, like sci-fi, fantasy, horror, and romance. Scrolling through my recent #MSWL entries, I see some of my call-outs have been for YA fantasy, western, or pirate adventure; for MG, creepy tales, tear-jerkers; for adult, women’s fiction and romance–How I want some adult romance (I’m burning through all of Sarah MacLean’s books and am all about romance these days)! I could use a steamy contemporary or historical romance that turns tropes on their ear (bonus points if they have people of color starring in them, à la Alyssa Cole’s An Extraordinary Union).
Where do you see trends going forward in the next year or two in the industry in romance?
There’s been an uptick in historical romance acquisition, which thrills me, since historical romance is my first love. For awhile, editors weren’t really buying much historical, but now with contemporary romance hitting a bit of a saturation point, editors are becoming more open to it. I’m seeing a touch more paranormal as well—not a whole lot, but I’m seeing some shapeshifter stories, so I’m curious to see if paranormal becomes more sought after as well. Lastly, I’m seeing more #ownvoices writers being published within these sub-genres and I hope those numbers continue to climb.
On your twitter profile you proclaim yourself as a “proud Latina” that said what do the hashtag #WeNeedDiverseRomance and #WeNeedDiverseBooks books mean to you as a reader and consumer in the industry.
I cut my teeth on romance when I was a young teen and, honestly, I didn’t realize how unrepresented I was in stories until I found my first Caridad Piñeiro novel. That was when I saw what I’d been missing, really seeing myself in a romance novel. It’s an amazing feeling to see more representation today. I marvel at it.
Now as an agent and an influencer behind the scenes, how do you feel about the state of diversity and inclusiveness in the industry?
Do we have time for this question? I think we need to have a lunch or ten to really talk about it! While I’m over the moon at seeing more diversity, we are still incredibly behind. We have far to go, twofold, between the writers themselves and the folks who work in publishing. I’m seeing more diverse, #ownvoices writers being published, which is heartening. The ones I’m hoping will emulate that increase are my colleagues on the industry side. With a rise in diverse books and writers, we need more diverse editors, agents, book buyers, librarians, etc., to help keep the rise in diverse authorship going in the right direction. Sadly, that’s not really talked about. My agency, for instance, is a boutique one standing at six women, half of whom are people of color. So when I see other agencies, especially the big ones who are known for actively seeking diverse writers, who don’t have diverse people on staff? I have questions. The same goes for imprints that are famous for publishing diverse voices and are succeeding monetarily, when I don’t see diverse staff? I have issues. Because while the hiring managers may not actively be refusing to hire diverse people, they are not making the effort to reach outside their networks when filling open positions. That sort of complacence with the status quo is damaging to the #WeNeedDiverseBooks and #WeNeedDiverseRomance conversation. What it reads to me is that they’re happy to profit off of diverse writers, but don’t really concern themselves about working with diverse colleagues. I urge writers to challenge that and to support diverse staffing as well as diverse writers. We’re out there in the trenches, too, and it can be tough to keep going. Yet if we all band together, between us AND our allies, we can really do something here.
How do you feel you can help move diversity forward from where you’re working because of course hashtags alone won’t work?
I’m part of a POC in Publishing group where we’re strategizing the best ways of doing that, actually. If you’re working on the industry side, please hire diverse staff. If you’re a writer, buy diverse books, first and foremost, since sales figures do the real talking if we want to see more of those stories out in the world.
How do you feel about the recent changes at Harlequin with the closing of the Kimani line? Do you think it will ultimately be good for diversity in the industry?
It’s so sad to hear about closing of the announced lines–Kimani, in particular. I’m nervous about what’s going to happen to the writers of color. I don’t believe it’s a good move for diversity at this stage. I do like the idea of having those authors be integrated into the other lines, but the fear is that even with that sort of scenario, Harlequin is likely going to take on fewer writers of color because there simply won’t be room to acquire the same amount of authors that Kimani published by itself. I don’t know what happened behind the scenes, but if we’re operating on the assumption that Kimani wasn’t pulling in the best sales figures, then what incentive does Harlequin have to ensure that more writers of color get published? Publishing is a business, so regardless of why the books aren’t doing well, low numbers will be a barrier. If that’s the case, even the most passionate editors are going to have a harder time proving to the acquisitions board that those stories yield a profit.
Lastly, are you open to queries right now and what’s the best way for writers to query you if you are?
I’m definitely open to queries! We have an electronic submission form at www.prospectagency.com.
Thank you so much for sharing your time and insights. We are so grateful to have had you here!
All the best,
Tis the season and timing could not be more perfect for today’s author interview. I’m so excited to have my friend the super talented Stacey Agdern on ye old blog today to talk about her contribution to BURNING BRIGHT the new Chanukah Anthology out from Avon Impulse.
Thanks so much for being here today Stacey!
Thank you so much for having me. It means a great deal *hug*
First off can you tell us a bit about BURNING BRIGHT? How did this anthology come together?
I pitched a single title Chanukah story to an editor at a luncheon hosted by one of the two RWA chapters I belong to (waves to LIRW). Two months later, I was sitting with Tessa Woodward, hashing out how the anthology would work. Chanukah. Jewish Characters. Jewish authors. An introduction by Sarah Wendell, and we were off to the races. I recruited Megan, Jennifer and KK , sobbing all over each of them with excitement and pride. I couldn’t believe this was happening. Neither could they (they also probably wanted me to stop crying;).
They came up with some really cool stuff, no?
This December, take a break from dreidel spinning, gelt winning, and latke eating to experience the joy of Chanukah. When you fall in love during the Festival of Lights, the world burns a whole lot brighter.
It’s definitely not love at first sight for Amanda and her cute but mysterious new neighbor, Ben. Can a Chanukah miracle show them that getting off on the wrong foot doesn’t mean they can’t walk the same road?
Lawyers in love, Shari Cohen and Evan Sonntag are happy together. But in a moment of doubt, he pushes her away—then soon realizes he made a huge mistake. To win her back, it might take something like a Chanukah miracle.
When impulsive interior designer Molly Baker-Stein barges into Jon Adelman’s apartment and his life intent on planning the best Chanukah party their building has ever seen, neither expects that together they just might discover a Home for Chanukah.
All Tamar expected from her Israel vacation was time to hang out with one of her besties and to act like a tourist, cheesy t-shirt and all, in her two favorite cities. She definitely was not expecting to fall for Avi, a handsome soldier who’s more than she ever dreamed
What inspired you to write your story?
Three different elements-two happy and one sad. An anthology that never came to pass about characters celebrating thanksgiving in a New York apartment building (thank you Tamsin!), a Chanukah party that is becoming one of my favorite annual traditions( Latkepalooza) and the death of my great aunt Bernice. Mix them together with a bit of amazing New York food, and you have ‘A Home for Chanukah’.
This year especially diversity his caught on as a big word in romance and you have been a champion for more diversity in the genre. Tell us why is it so important to you and what does the word mean to you?
Diversity, to me, means a romance genre that reflects the world we live in. Books telling the stories where the characters (and authors) are of all races, sexualities and faiths. Where readers can see themselves in the lead roles and not just in the secondary characters we hope (and pray) will eventually get their own books.
It’s important to me for many reasons, but the most relevant for this piece is the following : I want to live in a world where a character’s Judaism doesn’t disqualify them from having a leading role in a romance novel and an on the page romance. I want there to be the possibility that the word ‘inspirational’ doesn’t mean Christian. I don’t want someone else writing an article about Jewish characters in leading roles in romance novels to have to struggle, like I did, to find 8.
Also, can I say how lucky the romance community is to have you, Kwana? You lay the groundwork for a diversity conversation that is genuinely inclusive of all types of diversity, whether it is based on race, sexuality or faith. That is a priceless gift.
You are so kind to say that. Thank you and thank you once again for it and all you do.
Tell us a bit about your writing schedule. Are you a Plotter or a Pantser?
Mostly a pantser. When I start to write I need: 1.my general direction 2.a bit of knowledge about my characters. 3. The beginnings of my playlist. I don’t write in order either. I’ll write a bunch of scenes, and when I get to the point where I feel I have a story, I’ll start putting everything in order and filling in the missing pieces. I’m also not wedded to the beginning sequences; if I get to the point where one of the early scenes I’ve written is supposed to fit, but doesn’t, I’ve got no problem cutting it.
I’ll plot only when I get stuck, but only the barest minimum. If I plot too much, I get stuck Interesting fact : even if I write a synopsis before I write the book, I need to force myself to forget I’ve done this and proceed as usual.
What advice would you give other aspiring writers?
Pay attention to the market but write your stories. Keep your eyes open and take the opportunities that come your way. If you have a local rwa chapter, join. And READ. Always.
Do you mind sharing with our nosy readers (ok me) what you are working on next?
I’m working on a few different things, one of which is a hockey romance. “Icing the Puck’ comes out in April (no date yet) and it’s the second anthology of stories about the New York Empires hockey team. My story in ‘Icing the Puck’ features a hockey playing renchman, a violin playing heroine, tutoring sessions that slowly become more, interesting family secrets and 4/5 New York City boroughs during the holidays 😉
Sounds fantastic! Thank you for sharing.
And now here’s a short excerpt from ‘A Home for Hanukkah that makes a bit of a reference to my fictional hockey team. I love putting bits of afikomen-what most people call easter egg-references to other things.
She had more ideas in mind, but this was going to be his place when he got around to it, his idea. Which meant she had one more question to ask him. “Any colors?”
This was the one that seemed to catch him off guard. He shrugged his shoulders, then settled back in. “Don’t know,” he finally said, trailing off as he looked around the room. “Maybe blue, white. I’m an Empires fan.”
“New York Empires. Semenov, Emerson, that new guy, they call him lucky seven?”
She tried to look interested, tried to muster a degree of understanding, at least.
She shook her head. “No …”
He raised an eyebrow, as if to say that of everything they’d talked about, this was the thing he was most surprised about. “You’re not interested at all?”
She shook her head. “Sorry. Not really.”
Interesting *fun* fact? The hero of my story in Icing the Puck? Lucky seven, of course 😉
Thanks so much for being here today. It’s been a real pleasure.
You can find Stacey at these locals on line:
@nystacey on twitter
Facebook : https://www.facebook.com/staceyaagdern
And her pick up Burning Bright here:
Barnes & Noble:
All the best,
Hello dear friends and welcome to what I must reluctantly confess now is really and truly summer. I don’t know how that came to slither up on me but there it is. I’m now elbow deep in writing my current novella while little hidden closets of my brain cook up scenes for other stories that I have in the works while deadlines, they be looming.
I’m also busy getting ready for the big Romance Writers Of America National Conference this July where for the first time I’ll be participating in (see: shaking in my boots) a workshop with three of my friends and chapter mates the talented authors: Alyssa Cole, Falguni Kothari and Lena Hart. For our workshop, on Thursday July 23rd which is called: Multicultural Romance, When Keeping It Real Goes Wrong And How To Make It Right, we’ll be talking about quite a few topics one of which will be diversity in romance including the #WeNeedDiverseRomance hashtag.
I’ve also self-proclaimed July 23rd #WeNeedDiverseRomance Tee day at RWA so if you have your tee and are coming this would be the day to wear it and represent.
I started the #WeNeedDiverseRomance hashtag around 8 months ago to honor my dear Nana who had recently and very suddenly passed away. Nana was a huge influence on me becoming the romance writer I am today. I have strong memories of seeing her, after a long day of being a child caregiver for working Harlem mothers (a job she took on right after I was born and one she retired from after my own twins went off to pre-school), tiredly taking a moment for herself to relax with a Harlequin romance before she went to off bed. Nana was a veracious reader of romance, a lover of these books that took her far away from her day to day everyday, but in no way reflected the amazing woman she was or the incredibly hard working black women (and men) who went off to work and entrusted her with their precious children as they did so. It will be so hard to fight back tears as I go to the RWA literacy signing this year and for the first time since I’ve been a member I won’t have the assignment from Nana to go and get a signed Nora Roberts for her. She was such a huge Nora fan that Nora’s was the one book I HAD to get every year without fail.
That said it was due to Nana that as a preteen I picked up these books and like her was entranced with the love stories that took me away from my concrete jungle with their high level of love, emotion and passion even though I could never fully put myself in the shoes of the creamy skinned, blue eyed, blond heroines that the Greek tycoons fell for no matter how many times I put my tee shirt over my head and pretended it was my own flowing locks.
But it was what it was, and being lover of books, I read what was available in the genres I loved and that was women’s fiction and romance. Taking nothing away I still found many books, authors and stories I adored. It would be few and too far between, but I was thrilled when I found books like Terry McMillian’s Disappearing Acts and the iconic AA couple of Zora and Franklin who looked on the page like people I could possibly know or, hey, even maybe be one day, just way more passionate. I wanted more of these type of stories! And thankfully with that book’s success there was more. Many more, but sadly not nearly enough.
The #WeNeedDiverseBooks hashtag and movement has been making great strides since it was started and does so much for children’s literature discussion and I hope landscape and I’d love for that to continue into romance and all genres of literature. It saddens me so much when I see how disproportionate the bestseller lists are when it comes to authors of color. Now I’m not sure I know the fix to this problem as I don’t think there is one fix all as the problem has come from years and years of the “norm” being books by Caucasian writers and book by writers of color being labeled as other and shelved separately if picked up by a mainstream publisher. And if not picked up by a publisher then self-publishing being the other option for an author of color where discoverability is even more difficult. So with these obstacles I think the fix will take a not so subtle shift of the norm being truly diverse catalogs put out by publishers. And by diverse that means having more than 1 or 2 offerings by authors of color a month and consistently giving equal presence and retail marketing money to authors of color. That way when the public goes looking for their next read the offerings truly look like a rainbow and instead of the “right” choice being subliminally made for them.
It would be great to also address the lack POC staffing in publishing. Not to mention but to mention the fact that African American college educated women are the largest group of readers in the country so why not service them and stop leaving money on the table?
This year the need for the #WeNeedDiverseRomance hashtag and the movement has been brought home even more with what has been going on all over the country. From the awful police shootings and targeting of black men, women and children to the most recent horrific event in Charleston at Emanuel AME. How many times have we asked the question or shouted the rally call #BlackLivesMatter? How sad is it that we have to ask this question and remind people of this fact in the first place? But the truth is too often POC color are looked at as so called “thugs” before they are looked on as regular citizens with all the rights that come with that label. I think having more men and women of color lifted up as heroes and heroines from early on in literature is one way this perceptions can change. We can also go far with changing these perceptions on the big and small screen but that is a post for another day.
Sidebar: If you are looking for another great hashtag to follow please check out #WOCRomance and also check out Rebekah Weatherspoon’s @WOCInRomance on twitter and tumblr where she highlights new offerings from women of color in romance.
I’ve gone on long enough but I want to finish by saying that I know #WeNeedDiverseRomance will mean different things to different people and that is fine and as it should be. This post is about why I started the hashtag. Your perception is your reality as mine is mine. #WeNeedDiverseRomance is also shouting out to the persons with disabilities and the LGBTQ and transgender community. We are all here, all having been marginalized and all fighting the good fight for our truths to be told. I’m just the one here today rambling on about why I started the hashtag with a tweet on a day back when I was feeling low in my grief watching what was going on in the world and and missing my grandmother terribly. The response has been overwhelming and humbling and I’m honored that the hashtag still continues today and to that I say tweet on. Tweet on until the hashtag seems silly and redundant because we are truly equal and not segregated and all is well because finally well and truly do have Diverse Romance. Thank you.
Early tweets for #WeNeedDiverseRomance
Click the blow links to order your Tee!
P.S. I’ll always love you Nana and will forever thank you.
Firstly, I want to say a huge thank you to all why participated and helped me with honoring my Nana by sharing yesterday on the #WeNeedDiverseRomance hashtag on twitter. I was so thrilled with how it took off and can only hope that the powers that be in the industry were listening. Whenever the mood strikes please keep it going. I know I sure will as long as it takes and as long as still #WeNeedDiverseRomance. You can check out lots of the tweets here on Storify. It was my 1st time on Storify so I hope they were all collected. And as for the header? Not sure how Sorify picked that.
Now, speaking of diverse romance I love it when I can bring a new writer to ye old blog and today I’m super excited to have my friend and RWA NYC chapter mate Ursula Renee here on Ye Old Blog to discuss her fantastic historical debut novel Sweet Jazz. Thanks so much for being here today Ursula.
First off can you tell us a bit about your current work?
Sweet Jazz is an interracial romance that takes place in Harlem, New York in 1938.
The Big House’s “Coloreds Only” policy makes the club popular with Harlem residents. The same policy makes it harder for the owners to find and retain musicians. After four weeks of listening to saxophonists with bigger dreams than talent, the owners are ready to hire the first person who walks in and plays “one good note.” Their words come back to haunt them when Randy Jones auditions.
Many of the employees are not thrilled when Randy breaks the color barrier. He does find an ally in Cass, the club’s sassy singer, who goes out of her way to welcome him. Offstage, Cass Porter looks like a teenager, but when she sings she’s all woman. Inside, she’s been hurt badly and has determined never to love again.
As their relationship develops, life at the club for Randy becomes complicated when he has to fight both Cass’s fear of opening her heart and those who want to keep them apart.
Did you always know you wanted to be a writer?
I discovered the joys of writing after I wrote my first story when I was eight. Though I continued writing short stories, poems, and fan fiction, I did not considering pursung a career as an author until I started working on Sweet Jazz.
What characteristics are essential in a hero for you? And how about a heroine?
I like my heroes to be handsome, strong and confident. However, they also have to be willing to work with others and not insist on charging in to save the day alone.
A heroine should be strong, independent and smart. She should think before rushing into a situation that could potentially cause harm to her or others.
Tell us a bit about your writing schedule. Are you a Plotter or a Pantser?
I write during my hour long commute in the mornings and evenings. I also try to schedule one weekend a month in which I focus entirely on my manuscript.
I think of myself as both a pantser and plotter. As soon as an idea pops into my mind, I have to get it down on paper. Once I have completed the first draft, I create an outline. I used this during the editing process to ensure that each plot point moves the story forward and the characters appear and act as I originally envisioned.
What advice would you give other aspiring writers?
Do not give up.
There may be times when you feel as if everyone is against you – family and friends may laugh at you; editors tell you the manuscript does not work; or the words will not come to you. In either case, stop, take a deep breath and remember that success does not come to those who quit.
That is perfect advice. Thanks so much! What can readers expect next from you?
I am working on an interracial romance set in 1957, between a first generation Italian-American and a Filipino/African-American.
Fantastic! And now friends an excerpt from Sweet Jazz:
Cass rolled her eyes as she slid a sheet of paper across the table. He glanced down at the sketch of an older woman standing next to a piano. She wore an evening gown, and her hair was pulled back in a bun, with a feather ornament holding the style in place.
“The Big House is proud to feature Cass, with music by The Big House Band,” Randy read. He
glanced from the paper to her, then back at the paper. He recognized the similarities in the facial features, but it couldn’t be possible. “You can’t be the same Cass.”
“No other Cass here.”
“Your momma lets you work here?” Randy asked as he handed back the flyer.
He knew some parents did not care what their children did as long as they were out of the way.
However, allowing a young girl to work in a club was beyond neglectful.
“My momma doesn’t have much say in the matter, seeing as how she’s down south,” Cass said, placing the paper on the table.
“That’s where she lives.”
“What about your relatives?”
“They’re down there, too.”
Randy lowered his foot to the floor and straddled the chair. He needed to sit down. There was no way she was up there by herself.
“Don’t you have someone lookin’ after you?”
“I’ve been looking after myself for six years.”
“Six years? Girl, you jokin’? You can’t be no older than…what…sixteen? seventeen?”
Twenty-two? It explained why she got away with arguing with Junior, but, still… Randy slowly glanced from the ankle socks and canvas shoes on her feet to her two braids. She looked as if she should be playing with dolls or jumping rope, not singing in a club.
Thanks so much for being here today. It’s been a real pleasure.
Ursula can be found on the web at:
And you can buy Sweet Jazz here:
All the best,
P.S. Sidebar: I’ll be appearing at Between The Covers in Riverdale NY on Monday 11/17 from 7-9 reading an excerpt from BOUNCE (I’ll try and find a spicy scene) And I’ll have some copies to sign! So if you are in upper Manhattan come on out! Details are here.